Live Broadcast

Multi-Camera Live Streaming

A Taipei-based live production team: single to eight-camera on-site broadcasts, with broadcast-grade equipment and full redundancy keeping your signal rock-solid.

From press conferences and international forums to launches spanning a 16-hour time difference — we have three times served as broadcast coordinator for NVIDIA CEO Jensen Huang's cross-border simulcasts. For multilingual events, AI real-time translated subtitles keep every audience in sync.

Tell us about your broadcast

Full-Scale Direction

One to eight cameras with multi-angle switching, cut to tell the story exactly as it unfolds.

Borderless Connection

Hands-on experience coordinating simultaneous cross-border broadcasts, linking speakers at home and abroad.

Arts & Music Broadcasts

We read scores, so we stay in step with the most demanding concerts and performing arts programmes.

Signal Stability Safeguards

Broadcast-grade equipment backed by redundant power and signal paths, minimising the risk of interruption.

Network Engineering

Professional Wi-Fi deployment and VLAN configuration, with dedicated broadcast lines arranged on your behalf.

AI Live Captions

Real-time translated subtitles in over 90 languages, carrying your content across languages and borders.

On Site

Selected Works

Live Streaming Work

How Many Cameras

How Many Cameras Does Your Event Need?

More cameras aren't always better — it depends on venue size, whether there's stage programming, and whether the picture needs live cuts. Below are our typical setups across Taipei events. To see how camera count follows from your event's purpose, read the Camera Setup Guide; for sessions you would rather not make public, there are ways to limit who can watch, and for audiences in other languages see AI Live Captions.

Single camera　Talks, briefings, training sessions

A locked-off camera on the speaker — right for a straight record or a simple online stream

Two cameras　Press conferences, product launches, panel discussions

One camera on the speaker, one wide or on the audience — switching keeps the picture from going flat

Three to four cameras　Forums, award ceremonies, annual banquets

Side and close-up angles capture the interactions and the moment an award is handed over

Five to eight cameras　Concerts, large ceremonies, stage performances

Includes a jib and roaming cameras, directed across multiple angles in time with the programme

If you're unsure, send us the run sheet. We'll tell you which cameras you need and which you can drop — we don't pad the count to inflate a quote.

Before The Show

What We Check Before Going Live

Most live-stream failures aren't broken equipment — they're these details going unchecked.

Venue layout and camera positionsPower outlets, cable runs, and whether the audience or crew will block a camera's view.

On-site bandwidthWe measure the actual upload speed and stability; if it falls short we arrange a dedicated line or add mobile failover.

Streaming platforms and accountsAccess rights and stream keys for YouTube, Facebook, LINE or your own platform — and whether you need simultaneous multi-platform output.

How we take the audioA feed from the venue's mixing desk is cleanest; without one we assess wireless mics or directional pickup.

Slides and title cardsWhether the speaker's slides go into the picture, and whether you need lower thirds and live translation captions.

Run sheet and rehearsalCamera cuts are planned around the run sheet; for large events we recommend loading in a day early to rehearse.

Planning a Broadcast Starts With the Details

Camera count, number of days, streaming platforms and the venue's network — we'll recommend a setup based on what's actually there.

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